James

  • Antoine Beuger interview

    This week I’ve added the interview I did with Antoine Beuger in early 2004. I’d met him a couple of years earlier for the first time in Witten and was beginning to familiarise myself with the Wandelweiser group’s work at that point. We’ve corresponded and met occasionally since, and Antoine remains a significant influence for…

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    Antoine Beuger interview
  • new #[unassigned]

    I’m working on the first new piece to stem from my previous #[unassigned] project since 2009. Simon Reynell asked me to make a long version for a future another timbre release, working with Apartment House. We’ll be recording in Huddersfield in the middle of April in a session which will also include pieces by Joseph Kudirka which…

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    new #[unassigned]
  • Laurence Crane interview

    Here is the interview with Laurence Crane that we recorded in June 2007. Laurence preferred to do a spoken interview, and after struggling to find a time to meet we ended up talking on the phone. The interview came at a point where he was starting to work with ‘timbral’ material and we discuss that…

    Laurence Crane interview
  • Philip Jeck interview

    The second interview from the Ashgate series is now available to read online. This one is with Philip Jeck and was one of the few telephone interviews I did. I tried to capture Philip’s manner of speaking in the transcription as it seemed to reveal something of his thought processes. For me, that’s an important…

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    Philip Jeck interview
  • get my scores

    After a few recent conversations, I’ve decided to make my scores available for free download. I’ve made a page with all the links and will gradually add pieces over the next few weeks. They are released under the Creative Commons BY-NC-ND license, so the scores can’t be changed (except of course where this is required by…

    get my scores
  • creaking and talking in Oxford

    I’ve just had two weekends in Oxford at unrelated events within about 20 metres of each other. On 6-7 March I was an invited speaker at the Authorship in Music RMA Study Day hosted by the Faculty of Music and Wadham College. I spoke about game compositions, focusing on work by John Zorn, Christian Wolff, and…

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    creaking and talking in Oxford
  • Interviews available online

    I’m gradually making available online the 14 interviews I conducted a few years ago that were originally published in the Ashgate book. I’m beginning with Christian Wolff, and will be uploading one each week for the next few months. Ashgate are very kindly allowing me to reprint the interviews in this way, and are offering…

    Interviews available online
  • with paper at WASH project

    with paper was realised at WASH project in Buffalo, NY by Colin Tucker through his curatorial project Null Point with members of the local community. WASH is a local arts project that combines a laundrette with participatory arts activities and an access point for community services and cultural opportunities. There’s more information on the project…

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    with paper at WASH project
  • Experimental Music Yearbook

    The score of my piece what you must do, rather than must not do (2012) has been included in the 2014 Experimental Music Yearbook. Founded in 2009 by Casey Anderson and John P. Hastings, The Experimental Music Yearbook is a repository for composers, performers, and the public to glean the methods and styles of various artists working…

    Experimental Music Yearbook
  • location composite #7

    Here are a couple of photos of the performance and audience scores from location composite #7: Standlake which I made for Bruno Gaustalla, Eric Clarke and Sarah Verny Caird. I’ll edit these into the final score soon.

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    location composite #7
  • so many territories

    I’ve uploaded the recording of the first performance of so many territories by Plus Minus at City University in April. The piece draws on some of the techniques used by the Oulipo to create permutations of elements, specifically mutually orthogonal latin squares. Territories are areas ‘in which one has responsibility with regard to a particular type of…

    so many territories
  • you and me

    Here’s a short film of the performance I did with Manuel Zurria at the Italian Cultural Institute in London last week. The idea was for Manuel to play pieces with each of the composers, and a solo by Sciarrino. In addition to playing my piece lots and lots for us to do, he played pieces by…

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    you and me
  • London Odda Oslo Huddersfield

    I’ve got a few performances coming up in the next month or so. Firstly, I’ll be playing with Manuel Zurria at the Italian Cultural Institute in London on 2 October as part of a project where he has asked composers to write him pieces in which they also play. We’ll be giving the first performance of…

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    London Odda Oslo Huddersfield
  • deciding what to do

    Here’s another video of one of the pieces from the series I’m developing titled things to do. I was in Bristol at the Arnolfini in August working with the excellent Set Ensemble, making some recordings of my piece I decide what it is I am going to do as part of a residency they had organised. In…

    deciding what to do
  • they said what to do

    Here’s the video of my piece you say what to do (2014) performed by Mark Knoop and Serge Vuille with audience volunteers (including me) at the SPOR Festival in Denmark in May. The video has come out really well, and the difference in urgency between the two groups is very apparent.  

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    they said what to do
  • somewhere a field

    Here’s the film of the realisation Paul Whitty and I made of my piece the range of outside factors influencing it, as well as its own radius of action a couple of weeks ago. The piece involves a source recording from a different location being played back, with players reinforcing sounds in both the recording and immediate…

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    somewhere a field
  • instruments with recordings in Bristol

    Here’s a film of our performance of instruments with recordings from the set at Cafe Kino in Bristol earlier in the year. Thanks to Seth Cooke for the video. https://vimeo.com/83843472

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    instruments with recordings in Bristol
  • somewhere in a field in Devon

    I’m meeting up with Paul Whitty next week in a field in Devon to make some pieces. Paul has been developing an ongoing series of pieces in a field near Netherexe, working with other musicians. We’ve been trying to get down there for about a year, and have finally managed to find a possible time…

    somewhere in a field in Devon
  • what you must do is watch this

    I’ve finally managed to edit together some documentation of the performance of what you must do, rather than must not do (2012) by Dedalus Ensemble at The Forge in October 2012. We had three cameras, but they all had different aspect ratios and formats. After some playing around with far too many video conversion packages than…

    what you must do is watch this
  • Stewart Lee tells them what to do

    Here’s a video of my piece I tell you what to do performed by Stewart Lee and Magnitude Music at the Village Underground as part of the Spitalfields Festival. It’s another piece in the series things to do, which uses spoken cues to instruct musicians to make sounds in four different categories. This piece has a…

    Stewart Lee tells them what to do
  • everybody do this

    Here’s the film of the performance by Plus Minus, Material and City University Experimental Music Group from 8 April in City’s Performance Space. We had a few problems ending the piece, but found a solution in the end. https://vimeo.com/95569043

    everybody do this
  • five minutes with

    There’s a short interview with me at the City University Music Department blog made in advance of the concert there this Tuesday. It gives a bit of background to some of the pieces we’ll be playing. The concert will include five pieces by me, with three first performances. Alongside the excellent Plus Minus Ensemble, I’ll…

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    five minutes with
  • everybody do this

    Here’s a video of last week’s first performance of my piece everybody do this by Material in Bath. This is the second piece in the series things to do, and the next two pieces will be performed in May and June. We’re having a go at everybody do this again in London on 8 April at City University…

    everybody do this
  • #[unassigned] reassigned (possibly)

    Since scanning all the available versions of #[unassigned] that I could find in my room, and converting all the files I had on my laptop, I now have a virtually complete archive of the piece (screenshot as evidence). I’ve been thinking through what to do with it, and am considering making the piece available once…

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    #[unassigned] reassigned (possibly)
  • location composites site

    I’ve just made a new micro-site for the location composites project, which I’m beginning to expand. Following last week’s performance of location composite #6: Waterloo Station at the Centre for Creative Collaboration in London, I’ve been thinking more widely about the way in which the composites might work. I’m planning a few more versions at the moment,…

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    location composites site
  • ONE HUNDRED DEVICES in New Zealand

    175 East are performing the piece I made in 2012 for lots of sustaining sounds, AT LEAST ONE HUNDRED DEVICES BEING TURNED ON AND OFF, on Sunday 9 March at Q Theatre in Auckland. The piece involves a group of people working through a series of devices, which might include radios, drill, fans and other…

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    ONE HUNDRED DEVICES in New Zealand
  • upcoming performances

    I’ve got a few performances on the horizon over the next couple of months, beginning with Will Montgomery’s POLYproject>5 event at Centre for Creative Collaboration in London, which is a performance of location composite #6: Waterloo Station, London using text descriptions provided by poets Amy Cutler, Andrew Spragg and Chris McCabe. On 8 March, Luke Nickel…

    upcoming performances
  • Bristol New Music

    When I was looking round university music departments while going through the application process, I remember turning up in Huddersfield on a cold January lunchtime in 1991 for the normal pre-audition talk. David Lennox, who gave the talk, noted at one point while discussing the contemporary music festival, that the previous year, in the room…

    Bristol New Music
  • BORE

    Some of my scores are now available to buy as part of a limited edition produced by BORE (Sarah Hughes and David Stent). It’s the second edition they’ve made, after last year’s issue #1, comprising unpublished scores by James Tenney. Issue #2 features pieces by me and Tim Parkinson. Alongside some of Tim’s songs, which…

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    BORE
  • generality/specificity

    It’s taken a while but I think I’m beginning to find a solution to the problem of generality and specificity which has been bothering me for a while. I posted on generality last year, and gave a talk about it at Goldsmiths in October, but essentially the concern is that as a composer I make a…

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    generality/specificity
  • Parkinson Saunders at Kings Place

    Tim and I are doing a Parkinson Saunders 10th anniversary special at Kings Place on Sunday 11 May as part of their Out Hear series. We’re playing some old favourites I expect, along with some new pieces by some lovely composers we like. More on that soon. We did our first concerts in Huddersfield and London in…

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    Parkinson Saunders at Kings Place
  • wandelweiser journal volume now open access

    The volume of Contemporary Music Review I edited with Nicholas Melia is now available for free download from the Taylor and Francis website. It contains a co-authored introduction, along with articles by me, Nic, G. Douglas Barrett and M.J.Grant. My article, titled Testing the Consequences: Multipart Series in the Work of the Wandelweiser Composers looks at series comprising…

    wandelweiser journal volume now open access
  • so many territories

    I’ve just finished a new piece for Plus Minus, which they’ll be performing in London on 8 April in a portrait concert at City University. It’s called so many territories and is a modular piece which for now is scored for clarinet, cello, piano and accordion. As you can see from the photo of the four…

    so many territories
  • location composite #6

    Will Montgomery has organised a project around a new location composite which will take place in March in London. I’m making a new version for poets Amy Cutler and Andrew Spragg. They will write the descriptions that will be compiled into a score for musicians Kostis Kilymis, Sarah Hughes and Dimitra Lazaridou-Chatzigoga to perform on Thursday 6 March.…

    location composite #6
  • #[unassigned] archived

    I know this is a little sad, but I was very excited to find out that our photocopiers at Bath Spa have a function where you can scan A3 pages – with a sheet feeder – and automatically convert them to PDFs and get them emailed to you directly. About seven years ago, I started…

    #[unassigned] archived
  • interview at Avant Music News

    Daniel Barbiero has just interviewed me for Avant Music News. We talk about verbal scores, modularity and the sonic properties of materials. You can read the interview at the AMN website. Most of the answers were written on a plane somewhere over Holland.

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    interview at Avant Music News
  • new location composite score

    The score for location composite #4: The reading Room, Carrick-on-Shannon is now on the location composite page. There were 24 descriptions submitted by visitors to the Hunter’s Moon Festival from 25-26 October 2013, with some very intriguing texts. As this was a short installation of the piece, the score is complete and won’t be updated as with…

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    new location composite score
  • new piece for SPOR festival

    I’m making a new piece for the SPOR festival in Aarhus for May. It’s going to be played by Mark Knoop and Serge Vuille and is one of the four pieces which makes up the group things to do. This is the set that includes a piece I wrote in 2012 for Dedalus ensemble called what you…

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    new piece for SPOR festival
  • Performance at Cafe Kino

    I’m playing at a Bang the Bore night at Cafe Kino in Stokes Croft, Bristol on Sunday 5 January. We’ll be doing three pieces for mixed ensembles, starting with a version of the piece I just made for the Arditti Quartet, but played by four violins and double bass. I’ve just put together a version…

    Performance at Cafe Kino
  • your book is overdue

    I began sending out some circulated book pieces in 2008 and have recently begun wondering where they are in the world. Although in the instructions for each I explicitly asked not to be contacted prior to their completion, I am now quite curious as to their whereabouts. So if you are reading this and received…

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    your book is overdue
  • PhD studentships

    Bath Spa are part of the new AHRC South West and Wales Doctoral Training Partnership, which will fund 200 PhDs across the arts and humanities at eight universities in the region over a five year period. This is a really great opportunity if you’re considering a composition PhD, with co-supervision between composers at different Partnership universities…

    PhD studentships
  • interspersed with string quartets and organic food

    I’ve just returned from the Rainy Days festival in Luxembourg where the Arditti Quartet gave the first performance of the piece commissioned for them by the festival. The piece was played in a wonderful event which ran from 12-7pm in the Salle de Musique in the astonishing Philharmonie, comprising five sets from the quartet. The…

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    interspersed with string quartets and organic food
  • specific objects

    My paper from last year’s SPEEC conference at University of Oxford has now been published in Contemporary Music Review as part of the proceedings. There’s a good mix of papers in the volume, including contributions from Leigh Landy, Lauren Hayes, Sam Hayden and Mieko Kanno. The conference itself was excellent, and good to have a…

    specific objects
  • New release on NMC

    The version of #[unassigned] which I made for Apartment House in 2004 has been re-released by NMC on their new Digital Discoveries series. Most of the recordings are of pieces by composers who were part of the BMIC’s New Voices scheme, and the issue is a link between Sound and Music and the rehoused British Music…

    New release on NMC
  • location composite #4 at Hunter’s Moon Festival

    The Hunter’s Moon Festival is now underway in Carrick-on-Shannon, and the next part in my location composite series has been installed as part of the score trail. It was organised by Caroline and Jennifer Walshe, and uses shops in the town as sites for scores. I made a cut out book and placed the score inside,…

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    location composite #4 at Hunter’s Moon Festival
  • Several 2nds at Arnolfini

    On Wednesday I took part in the Several 2nds series at Arnolfini in a session organised by Andy Keep in which we worked through four of my pieces with a fantastic group of Bristol musicians. It was a great opportunity to work on some pieces afresh, and to try out some new ideas which might…

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    Several 2nds at Arnolfini
  • location composite #4

    I’ve just made a new location composite which expands the way the project works slightly. Pieces #1-3 all use geocaches as score locations, with cachers responding to the aural environment they find themselves in and sending me text descriptions of sounds which become instructions for musicians in the resultant pieces. In the latest edition, location composite #4: The…

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    location composite #4
  • some thoughts on research

    These answers were in response to questions posed by composer Lauren Redhead as part of her series Three Questions for Composer-Researchers. Can you briefly outline your research interests and their context in, or link with, your practice as a composer? I think it’s important to make a distinction between the ‘research’ we do as composers…

  • on generality

    I find myself always trying to find the most general way of framing a piece at the moment. When planning a piece, there are so many ways in which the basic concept could be articulated, normally through specifying certain parameters, durations, actions, or sounds. When considering these possibilities, I am always conscious of their arbitrariness.…

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  • location composite #1

    There have been some more performances of location composite #1: Portbury Wharf recently, including one at the Hansard Gallery in Southampton by Bang the Bore. There’s a poetic review at ATTN: magazine (which looks like an interesting site – I’d not com across this before but some good content here), and some great photos. Really pleased to…

    location composite #1
  • modular music

    My 2008 article on modular music that was published in Perspectives of New Music is now available via the Bath Spa ResearchSPAce for free download. You can get it here.    

    modular music
  • with paper

    Here’s a lovely video of the Kammer Klang performance of with paper by Lucy Railton and Serge Vuille at Cafe Oto on 4 March. The synchronisation and differences work really well.

    with paper
  • new piece for Arditti Quartet

    I’m working on a new piece for the Arditti Quartet at the moment for the Rainy Days festival in Luxembourg in December. The festival is focusing this year on long, slow pieces, so they’ve asked me to write something very short for string quartet. There’s some more information about the festival and the full programme…

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    new piece for Arditti Quartet
  • looking up / looking down

    Today I completed the daily photography project I’ve been undertaking for the past year. Each day, I’ve taken a picture of the sky and a picture of the ground and uploaded it to a website as a collage. The project, titled looking up / looking down has been quite time-consuming, although mostly it’s involved trying to…

    looking up / looking down
  • Berlin action

    The New Silence gave the first performance of my piece the range of outside factors influencing it, as well as its own radius of action (2012) in Berlin last night. They asked for something for their ongoing series of ambient interventions at the bar O Tannenbaum last year, and it fitted in with some ideas about location…

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    Berlin action
  • Japanese surfaces

    Simon Limbrick realised another performance of our collaboration surfaces yesterday at the Sainsbury’s Institute for the Study of Japanese Arts and Cultures in Norwich as part of their exhibition Washi: The Art of Japanese Paper. The performance was streamed live again, so I managed to see Simon gradually reducing the materials to a pile of scraps…

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    Japanese surfaces
  • what you must do on the radio

    Johnny Chang organised a collaboration between Avant Gardening, a show on Dunedin radio, and Raudio Aasland on reboot.fm in Berlin last week. The show made an arrangement of my piece what you must do, rather than must not do for two live radio transmissions and three performers, working with their physical displacement and the way the…

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    what you must do on the radio
  • making sounds in Oxford

    I’m very excited about Felicity Ford and Stavroula Kounadea‘s involvement with MAKE SOUND HERE in Oxford this week. They’ve been sounding out the Oxford streets over the past week or so in preparation for a sound walk on Friday 1 March for visitors to the Audiograft festival, in association with Modern Art Oxford. They found some…

    making sounds in Oxford
  • look/listen

    I’ve just found some time to upload some more recent recordings of pieces as the sounds page had nothing after 2006, which needed rectifying. I got a little carried away and managed to collect some of the videos which have appeared in posts over the past year or so on the films page too. All…

    look/listen
  • new circulated book piece

    I’ve just made a new circulated book piece called six surfaces, all of the same dimensions but otherwise different and am about to send it on its way. It involves making a recording of an object dragged across six different surfaces which are supplied in a folder. Each recipient replaces one of the surfaces with a…

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    new circulated book piece
  • MAKE SOUND HERE

    I’ve just started a new project called MAKE SOUND HERE which combines my interest in environmental sounds, distributed activities, and maps. The website documents places where interesting sounds can be made by interacting with the environment in some way. So far I’ve included a pedestrian crossing button in Trondheim, some metal bollards in Bristol, and…

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    MAKE SOUND HERE
  • what you must do

    I had a very quick return trip to London on Tuesday to hear Dedalus play my piece what you must do, rather than must not do. It was written for them and Apartment House as part of the ensemble exchange programme they were running, which saw the same programme performed in Montpelier in the Sonorités festival,…

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    what you must do
  • scores

    I’m going to begin uploading a few scores for free download over the next month or so. They are mostly going to be the few verbal scores I’ve made, including with paper, the location composites series, and a few others. To begin with I’ve added with paper as it exists as a PDF which can…

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    scores
  • Wandelweiser und so weiter

    Another Timbre have just released Wandelweiser und so weiter,  a 6-CD boxed set of recordings by the Wandelweiser composers, and those whose work has some relation to theirs. It’s been a mammoth undertaking by Simon Reynell, and includes a very interesting group of performers. I’ve got a couple of pieces included, taken from my series divisions that…

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    Wandelweiser und so weiter
  • murmuration at Cafe Oto

    Saturday was a very good day. Simon Reynell had organised what was, I believe, the biggest ensemble to perform at Cafe Oto, comprising a group of c.40 players as part of the launch of the new Another Timbre boxed set Wandelweiser und so weiter. As it turned out, the standard new music concern of ensemble…

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    murmuration at Cafe Oto
  • environmental sounds in Bristol

    After a lot of driving around this evening, I finally managed to find The Scout Hut at Redcliffe Wharf in Bristol. Dominic Lash had organised a performance there with Set Ensemble – it really is a scout hut (complete with knots and bells), although the capitalisation gives it more of an allure. Great venue though,…

    environmental sounds in Bristol
  • my olympic challenge

    After watching the London Olympics I thought it would be fun to have a go at track cycling, so I booked a session at the Newport Velodrome. I had a great time, and on my drive home I wondered if it would be possible to try all the Olympic sports before the 2016 Rio games.…

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    my olympic challenge
  • interview with Claudia Molitor

    I’ve just started an interview with Claudia Molitor. I’m particularly interested in her tactile scores as they relate to my interest in surfaces and scores as instruments, so I’m hoping to learn more about how she approaches this. There’s only a single question there so far, but it will fill out over the next few…

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    interview with Claudia Molitor
  • circus on

    Here’s the video of the full performance of our realisation of Cage’s _____, ___ ______ CIRCUS ON __________. The score provides instructions for ‘translating a book into a performance without actors, a performance which is both literary and musical, or one or the other’. Our version had the title Bowbarovsk, a Travelling Circus on Nights at the…

    circus on
  • a lot of mess

    Here’s a recording made by Matt Davies of our performance of a new piece I made for the Cage 100 event in Bristol last week. It’s called AT LEAST ONE HUNDRED DEVICES BEING TURNED ON AND OFF and was performed at the end of the show. We each sourced as many electrical and mechanical devices…

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    a lot of mess
  • objects and sounds

    Here are a few pictures from yesterday’s Cage birthday concert at the College Project in Bristol, together with Dominic Lash’s installation of his score for object network at home a little later.  I also recorded some sounds emanating from a nearby building before the concert. listen to ‘Power tools in a building at College Arts’ on…

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    objects and sounds
  • object network

    I’ve been making a new piece over the last week or so for performance at the Cage concert in Bristol on 5 September. It’s called object network and uses a network of points connected by lines, drawn by hand on a variety of different surfaces. Each score is individually made and unique. To perform the score,…

    object network
  • Cage 100 at Artspace

    Cage 100 at Artspace College, Bristol Artspace College Project, Timsbury Walk, Knowle, Bristol BS3 5JJ Starts at 8:00pm. Join us for a celebration of the life and work of John Cage on Wednesday 5th September 2012, 100 years since his birth. Bristol-based musicians, composers, and artists will perform and exhibit works by Cage, works inspired…

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    Cage 100 at Artspace
  • eight panels recording

    Here’s the recording of my piece eight panels from St Andrews last month. There’s a bit of interference unfortunately (turn those phones off!). eight panels

    eight panels recording
  • other things

    I’ve just added a couple of new bits to the site. First, a sound diary that I’ve been keeping on and off, and which is now very much on. I’m using Audioboo to post recordings, then uploading them to a Google Map using fusion tables. It’s working OK, but for some reason the embedded player…

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    other things
  • new geocaches deposited

    I’ve just started to expand my location composite series by placing some new caches. The first one was placed on a nature reserve near my house about 18 months ago, and I’ve been meaning to continue the series ever since. After considering possible locations, I’ve decided to work my way along the Avon Gorge to Bristol…

    new geocaches deposited
  • [rout] performance at Kings Place

    Here’s a video of an excerpt from my piece nothing reveals itself without at the same time concealing something else performed by [rout] at Lost & Found at Kings Place on 15 July.

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    [rout] performance at Kings Place
  • songs 2011

    Here is a video of our performance of Tim’s and I do like  from songs 2011 at Kings Place on 15 July.

    songs 2011
  • Audiograft at Kings Place

    There was a repeat performance of the Audiograft event Lost and Found at Kings Place yesterday, organised by Paul Whitty. It featured performances by [rout], Kerry Yong, The Albion Players, and Parkinson Saunders. Tim and I played his four songs 2011, and [rout] played a couple of pieces from my series divisions that could be autonomous but…

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    Audiograft at Kings Place
  • eight panels

    My new piece for eight soprano saxophones, eight panels, was performed yesterday in St Andrews at the World Saxophone Congress. The piece was commissioned by the reed manufacturer RICO. It was a very interesting weekend, and I was really pleased with the performance by a group of fantastic players: Philippe Braquart, Eleri Ann Evan, Jean-Denis Michat, Lars Mlekusch, Henrique Portovedo,…

    eight panels
  • foraging for sounds

    I’ve been in St Andrews for a couple of days for the World Saxophone Congress to hear the new piece for eight saxophones that was commissioned by RICO, the reed manufacturer. I had some time on Saturday, so went for a long walk along the beach next to the Old Course. Apart from being adopted…

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    foraging for sounds
  • new pieces for saxophones

    I’ve just finished a new piece for eight saxophones, titled eight panels. It was a commission from Rico, the reed manufacturer, for performance at the World Saxophone Congress in St. Andrews in July. The piece was a request from Eleri Ann Evans, and I’ve also made a short piece for her and her duo partner,…

    new pieces for saxophones
  • Word Events reviewed

    I’ll add reviews of Word Events here as and when they appear. To get started, here’s a positive one from Avant Music News by Daniel Barbiero. 30.07.12: Tim Rutherford-Johnson at his blog, The Rambler 03.09.12: Kurt Gottschalk at The Brooklyn Rail    

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    Word Events reviewed
  • Parkinson Saunders website

    Tim and I finally have a Parkinson Saunders website. It’s only taken us ten years – it’s our anniversary website! There are a few recordings and videos there at the moment, and we’ll add more content over the coming months. You can visit us at www.parkinsonsaunders.com.

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    Parkinson Saunders website
  • Cage performance at Bath International Music Festival

    The realisation of Cage’s _______, ___ ______ CIRCUS ON ______ which I made with  colleagues and students at Bath Spa University was performed last Friday, and was reviewed positively by Ivan Hewett in the Telegraph. We used Nights at the Circus (the circus reference is circumstantial) by the Festival’s featured writer Angela Carter as the source…

    Cage performance at Bath International Music Festival
  • found verbal scores

    At the early stages of the research for the verbal notation book, John and I began to find some verbal scores in our travels. We started actively looking for these for a while, so I thought I’d post a few of them here. If you find any others, let me know….

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    found verbal scores
  • Wandelweiser journal issue now available

    The issue of Contemporary Music Review that I’ve been editing with Nicholas Melia has now been published. If you have academic library access you may be able to get it for free online – it’s quite pricy otherwise! It contains papers by the two of us, as well as by G. Douglas Barrett and M.…

    Wandelweiser journal issue now available
  • Word Events book published

    As the picture shows, the book on verbal notation John Lely and I wrote over the past three years is now published! This is a pre-release copy, so it may be a couple of weeks before it’s available, and I think it comes out in the USA first. We had a great time working on…

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    Word Events book published
  • Interview with Richard Ayres

    I’ve just uploaded an old email interview with Richard Ayres which we made in 2004-5. You can read it here.

    Interview with Richard Ayres
  • template (with alterations) at the wulf

    A version of my piece template (with alterations) was performed at the wulf in Los Angeles in March, in an event organised by Christine Tavolacci. Here’s a short video of the performance, played by Brian Walsh (clarinet), Cassia Streb (viola) and Antares Boyle (flute).

    template (with alterations) at the wulf
  • old interviews added

    I’ve uploaded some old email interviews that were originally completed in 1999 to my new interview page. So far I’ve added the interviews with Liza Lim and Tom Johnson, and there may be a couple more in the next few weeks. I’m going to add some new interviews to these gradually over the next few months,…

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    old interviews added
  • Interview with Joanna Bailie

    All of Joanna Bailie’s recent music uses field recordings as a starting point, drawing on the sonic environment of Brussels, the city she has lived in since 2001, as well as other locations. Recent pieces, such as Symphony-Street-Souvenir (2009/2010) and the Artificial Environments series (2011- ), use mostly urban soundscapes, presented either in their raw…

    Interview with Joanna Bailie
  • performance in Paris

    Dedalus ensemble are performing my piece location composite #1: Portbury Wharf in Paris as part of their Semaine Wandelweiser series at Bois de Vincennes on 29 April. The piece takes verbal descriptions of a location near where I live, written by geocachers. Since installing the cache last year, there have been about 25 finds, which have…

    performance in Paris
  • book and journal nearly ready

    The outcomes of the two writing projects I’ve been working on over the past three years look likely to appear at around the same time. The book Word Events: Perspectives on Verbal Notation which I wrote with John Lely, supported by some wonderful contributors, is almost complete. John has just finished compiling the index, and we’re…

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    book and journal nearly ready
  • Interview with Craig Shepard

    Although I didn’t end up meeting Craig Shepard until about 2006 when I was in Zürich for a concert (and he kindly gave me some expert advice on selecting chocolate), I’d been aware of his work for a while, and was particularly interested in the On Foot project which he had completed in Switzerland in 2005.…

    Interview with Craig Shepard
  • new interviews

    I’m just about to start a new set of interviews with composers after a break of a couple of years. I did a set of 14 which ended up in the Ashgate book (of which two have recently appeared in German in MusikTexte), and there’s another one with Rebecca Saunders which we’re going to make…

    new interviews
  • nothing reveals itself without at the same time concealing something else

    Here’s another video from the recent Audiograft festival in Oxford, featuring a lovely performance by [rout] of the piece I wrote for them last year called nothing reveals itself without at the same time concealing something else. The piece involves the ensemble playing long tones with some overlap, such that some are covered or uncovered by…

    nothing reveals itself without at the same time concealing something else
  • Songs 2011 by Tim Parkinson

    Paul Whitty made this film of Parkinson Saunders performing Tim’s songs 2011 in the Audiograft festival at the Holywell Music Room in Oxford on 1 March. We had so much fun doing these, and will hopefully be singing (?) them again at Kings Place in the summer. They are fairly chaotic in places. This is intentional and,…

    Songs 2011 by Tim Parkinson
  • new piece completed

    I’ve just finished a pair of pieces for Dominic Lash and Patrick Farmer which they are going to record in April. It’s possibly the beginning of a series with the title overlay, and is related to another piece I made in 2010, template (with alterations). The two overlay pieces are for solo low instruments: (1) is…

    new piece completed
  • new notebook

    I think I’ve finally cracked the notebook situation. Since filling my MUJI B5 ringbinder notebooks a couple of years ago I’ve been struggling to find an alternative system. I posted previously about looking for another modular system which worked for me, settling in the end on A4 sheets and a folder as a way of…

    new notebook