calendar

Here are a few forthcoming performances of my pieces. If you are planning a performance, please let me know and I’ll add it to the list.

Not much happened in 2020 due to Covid, so I made some videos.

2021

13.11.21: it is the behaviour that a system tends towards and encourages that needs to be understood, KNM Berlin Campus Ensemble, CoMA Allcomers Orchestra, Bethanien, Berlin.

27.05.21: James Saunders, guided sequence #1 (with Grace and Sophia), Parkinson Saunders, here.here / iklecktik, [online performance]

27.05.21: James Saunders, making a choice and then making another choice, Parkinson Saunders, here.here / iklecktik, [online performance]

29.04.21: you are required to split your attention between multiple sources of information, NTNU Sinfonietta, Only Connect, Vår Frue kirke, Trondheim

15.03.21: people do things apart, The Assembled, University of York, online performance.

31.01.21: lots and lots for us to do, SANS; duo, online.

2020

15.12.20: what you must do, rather than must not do, Purchase Percussion Ensemble, online performance

29.06.20: people do things apart, Nomi Epstein, Larry Goves, Louis d’Heudieres, Mark Knoop Rebecca Lenton, Thierry Madiot, Ruben Martinez Orio, Tim Parkinson, Katharina Plate, Gwen Rouger, James Saunders, Primož Sukic, Kathryn Williams. Recorded using Google Meet, Quicktime, and local audio devices.

23.02.20: constant interchange of the most various kinds, Rosalind Ridout, Callum Coomber, Darren Gallacher and Shaun Davies, I N T I M A T E # 3, The White Hotel, Manchester.

31.01.20: lots and lots for us to do, SANS; duo, Center for New Music, San Francisco.

2019

21.12.19: all the things we make you do, FRAMES percussion, OUT.SIDE, Centre d’Art Lo Pati, Amposta

10.12.19: choose who tells you what to do, New Art Music Ensemble, Mark Hillery Arts Centre, Collingwood College, Durham

19.11.19: you say what to do, 4|12 collective, The Others, Stoke Newington, London.

29.11.19: all the things we make you do, FRAMES percussion, OUT.SIDE, Arts Santa Mònica, Barcelona

24.08.19: opposition between the two spaces and their common mediation, current resonance, klubscenen, Royal Academy of Music, Aarhus.

07.07.19: the range of outside factors influencing it, as well as its own radius of action, Loren Chasse, Matt Hannafin, and Branic Howard, Extradition Series, Portland Garment Factory, Portland.

08.06.19: interspersed sometimes with weeds and brambles, DianaPlaysPerception, Multimedia Art Museum, Moscow

08.06.19: instruments with recordings, DianaPlaysPerception, Multimedia Art Museum, Moscow

08.06.19: everybody do this, DianaPlaysPerception, Multimedia Art Museum, Moscow

11.05.19: surfaces, Matt Hannafin, Joan Truckenbrod Gallery, Corvallis, Oregon

04.05.19: each will appear or not appear, WHI ensemble, chimera space, Athens

22.03.19: constant interchange of the most various kinds, EXAUDI, Milton Court, London

18.03.19: we tell each other what to do but always listen to you, KMN Berlin / KMN Campus Ensemble, Uferstudios, Berlin.

17.02.19: all the things we make you do, Skerpla and Berglind María Tómasdóttir, Hafnarborg, Iceland.

07.02.19: instruments with recordings, 4/12 Collective, The Crypt Gallery, London

26.01.19-03.03.19: with paper, Phonemes, Hafnarborg Centre of Culture and Fine Art, Iceland.

2018

14.12.18: everybody do this, Hatched Summer School participants, mentors and Ensemble Offspring, Glebe Town Hall, Australia

25.11.18: interspersed sometimes with weeds and brambles, Minguet Quartet, Aurelium, Lappersdorf, Germany.

24.11.18: you can do what you want unless someone tells you what to do, The House of Bedlam, Being Human Festival, RNCM, Manchester

24.11.18: I decide what I am going to do, The House of Bedlam, Being Human Festival, RNCM, Manchester

24.11.18: I tell you what to do, The House of Bedlam, Being Human Festival, RNCM, Manchester

24.11.18: choose who tells you what to do, The House of Bedlam, Being Human Festival, RNCM, Manchester

24.11.18: interspersed sometimes with weeds and brambles, Minguet Quartet, Wien Konzerthaus, Wien Modern, Vienna, Austria

23.11.18: you are required to split your attention between multiple sources of information, Arditti Quartet and Ensemble Modern, Wien Konzerthaus, Wien Modern, Vienna, Austria

14.11.18: instruments with recordings, GreyWing, TURA, Ol Customs House, Fremantle, Australia.

03.11.18: reaching an acceptable and stable solution, Duch Parkinson Saunders, NonFigurativ Musikk, Tønsberg, Norway

02.11.18: reaching an acceptable and stable solution, Duch Parkinson Saunders, Ny Musikk, Oslo, Norway

01.11.18: reaching an acceptable and stable solution, Duch Parkinson Saunders, Sund Folkehøgskole, Inderøy, Norway

31.10.18: overlay (1) / overlay (2), Parkinson Saunders with NTNU Bass Ensemble, Teaterhuset Avant Garden, Trondheim

14.10.18: it is impossible for everyone to achieve everything they want, Nadar Ensemble Summer Academy, Transit Festival, Leuven

22.09.18: everybody do this, KMN Berlin, CoMA Slap On, St. John’s Smith Square, London

13.09.18: everybody do this, Dganit Elyakim, Nick Acorne, Valerio Zanini, The Sound of Sound, John Ogilvie Haus, Graz

31.08.18: it is impossible for everyone to achieve everything they want, Nadar Ensemble Summer Academy, Sint-Niklaas.

24.08.18: reaching an acceptable and stable solution, Parkinson Saunders, Snape Maltings.

21.07.18: surfaces,  Loren Chasse and Matt Hannafin, extradition, Leaven Community, Portland.

01.07.18: solutions must be sought which everyone can accept, Jugendblasorchester Musikschule Heidenheim, Lokschuppen, Heidenheim.

05.06.18: constant interchange of the most various kinds, EXAUDI, City University, London

13.05.18: everybody do this, Glasgow Experimental Music Series, The Pipe Factory, Glasgow

13.05.18: I tell you what to do, Glasgow Experimental Music Series, The Pipe Factory, Glasgow

11.04.18: positions in the sequence correctly recalled, University of Alberta, Camrose, Alberta.

04.03.18: what you must do, rather than must not do, NAME, CoMA Day, Sage, Gateshead

2017

20.11.17: sometimes we do what you say, but occasionally we don’t, The Assembled, The Crescent, York.

29.10.17: various distinct spatial or temporal locations, Jetpack Bellerive, Kunstraum Riehen, Switzerland

21.10.17: know that your actions reflect within the group, Ictus Ensemble, Donaueschinger Musiktage, Donaueschingen, Germany.

14.10.17: in which one thing depends on another, Parkinson Saunders, Wellcome Collection/BBC Radio 3, London.

05.10.17: we do what you say and say what to do, KNM Berlin/LIMINAR, Foro Nuéva Musica, Mexico City

05.10.17: lots and lots for us to do, KNM Berlin, Foro Nuéva Musica, Mexico City

29.09.17: imperfections on the surface are occasionally apparent, Experimental Music Ensemble, Tasmanian Conservatorium of Music, Australia

01.08.17: instruments with recordings, Exposure Exeter/Late Junction, Exeter Phoenix.

13.07.17: everybody do this, Plus Minus Ensemble, ?TZLIL MEUDCAN 2017, HaTeiva, Jaffa?

30.06.17: sometimes we do what you say, but occasionally we don’t, Performing Indeterminacy, Clothworkers Centenary Concert Hall, University of Leeds.

19.06.17: all voices are heard, Out-Take Ensemble, The Talking Heads, Southampton

15.06.17: let it go beyond a certain point, The Dog Star Orchestra, Los Angeles, USA.

10.06.17: all voices are heard, Ensemble Tzara, Voirie, Biel

09.06.17: all voices are heard, Ensemble Tzara, Kunstraum Walcheturm, Zürich

06.06.17: all voices are heard, Ensemble Tzara, Gare du Nord, Basel

06.06.17: just noticed or just not noticed, Johnny Chang, Berlin

07.05.17: alternate between attention and ease, Parkinson Saunders/BBC Scottish Symphony Orchestra/Ilan Volkov, Tectonics, Glasgow.

07.05.17: in which one thing depends on another, Parkinson Saunders, Tectonics, Glasgow.

05.05.17: either/or, Experimental Music Ensemble, Tasmanian Conservatorium of Music, Hobart, Australia.

29.04.17: we do what you say and say what to do, KNM Berlin, Radialsystem, Berlin.

26.04.17: instruments with recordings, MICHAELBRAILEY, VIRTUALLYREALITY, Texture, Manchester.

25.04.17: different water environments, Le Grand Orchestre de Muzzix, La Malterie, Lille

25.04.17: all voices are heard, Le Grand Orchestre de Muzzix, La Malterie, Lille

25.04.17: constant interchange of the most various kinds, Le Grand Orchestre de Muzzix, La Malterie, Lille

25.04.17: sometimes we do what you say, but occasionally we don’t, Le Grand Orchestre de Muzzix, La Malterie, Lille

25.04.17: pairing, Le Grand Orchestre de Muzzix, La Malterie, Lille

21.04.17: all voices are heard, Material/OUT-TAKE Ensemble, Ludo2017, Bath Spa University.

30.03.17: you say what to do, rare form, Ouachita Baptist College

29.03.17: you say what to do, rare form, Arkedelphia High School

28.03.17: you say what to do, rare form, University of Fort Smith

27.03.17: you say what to do, rare form, University of Central Arkansas

27.01.17: all the things you make us do, The Third Guy, Q-02, Brussels

13.01.2017: with paper, 20th Century ASA Ensemble, Wellington College International Tianjin (WCIT), Tianjin, China.

2016

28.11.16: on bare trees, Maulwerker, labor sonor, KuLe, Berlin.

28.11.16: everybody do this, Maulwerker, labor sonor, KuLe, Berlin.

19.11.16: they are always different, they are always the same, Quax, Lutherie Urbaine, Paris.

17.11.16: reassigned #2, ddmmyy series, sandbar, Manchester

06.11.16: everybody do this, Nouvel Ensemble Contemporain, Eglise de Grandson, Switzerland

05.11.16: everybody do this, Nouvel Ensemble Contemporain, Centre Dürrenmatt Neuchâtel, Switerland

31.10.16: AT LEAST 100 DEVICES BEING TURNED ON AND OFF, Pym Bam Boom, La Malterie, Lille.

21.09.16: PART OF IT MAY ALSO BE PART OF SOMETHING ELSE, Toby Roundell, Wellington College International Tianjin (WCIT), Tianjin, China.

12.09.16: in which one thing depends on another, Ruben Zilberstein and Alex Nikiporenko, 840 tourThe International Anthony Burgess Foundation, Manchester.

12.09.16: in which one thing depends on another, Ruben Zilberstein and Alex Nikiporenko, 840 tourVivid Projects, Birmingham

08.09.16: everybody do this, students at Sydney Conservatorium of Music

11.08.16: positions in the sequence correctly recalled, Mocrep, Darmstadt Internationales Ferienkurse für Neue Musik.

24.07.16: lots and lots for us to do, Alexey Zaitsev/Daniil Pilchen Sound Museum, St. Petersburg, Russia.

14.05.16: in which one thing depends on another, Parkinson Saunders, atelierkonzert, Basel.

14.05.16: surfaces, Null Pointecho art fair 2016, Buffalo, USA.

21.04.16: reassigned #1, ddmmyy, The Yard Theatre, Hackney Wick, London.

15.04.16: like you and like you, Thierry Madiot, Deborah Walker, Philippe Caillot, Marc Dumazert, Chateau de l’etang, Paris

15.04.16: positions in the sequence correctly recalled, Thierry Madiot, Deborah Walker, Philippe Caillot, Marc Dumazert, Chateau de l’etang, Paris

15.04.16: we tell each other what to do but always listen to you, Thierry Madiot, Deborah Walker, Philippe Caillot, Marc Dumazert, James Saunders, Chateau de l’etang, Paris

15.04.16: they are always different, they are always the same, Thierry Madiot/children from Ecole Paul Langevin, Chateau de l’etang, Paris

19.03.16: each will appear or not appear, A quiet night in, Friends Meeting House, Exeter

08.03.16: we gradually have more things to do and fewer things to say, Distractfold, RNCM, Manchester

08.03.16: in which one thing depends on another, Distractfold, RNCM, Manchester

08.03.16: all voices are heard, Distractfold, RNCM, Manchester

05.03.16: in which one thing depends on another, Ruben Zilberstein and Alex Nikiporenko, 840, St. James’ Church, Islington, London

10.02.16: lots and lots for us to do, people making sounds, Center for New Music, San Francisco, USA

06.02.16: lots and lots for us to do, people making sounds, CCRMA stage, Stanford University, USA

29.01.16: with the same material, or still, to vary the material, A Quiet Night In, Spacex, Exeter

2015

12.12.15: assigned #9, UMUU,  Tulevat Konsertit, Balderin sali, Helsinki

11.12.15: with paper / any one part can replace any other parteverybody do this, Ledger Recital Room, Royal Conservatoire of Scotland, Glasgow

05.12.15: everybody do this / I decide what it is I am going to do,hot karl/hella khords, CCRMA, Stanford, USA

05.12.15: things whole and not whole, Grand Orchestre de Muzzix/Christian Pruvost, La Gare Saint Sauveur, Lille

05.12.15: I decide what it is I am going to do, hot karl, CCRMA, Stanford University, USA

05.12.15: everybody do this, hot karl, CCRMA, Stanford University, USA

21.11.15: things whole and not whole, Grand Orchestra Muzzix, Happy Days, Opera de Lille, Lille

18.11.15: with paperAthletics Duo w/ David Eegehaupt, Berkeley, USA

16.11.15: with paper, Athletics Duo w/ David Wegehaupt, CCRMA, Stanford, USA

15.11.15: with paper, BLACK BOX im cuba, Münster, Germany.

30.10.15: everybody do this, Sound Initiative, rendezvous contemporains, Paris

26.09.15: AT LEAST ONE HUNDRED DEVICES ALL BEING TURNED ON AND OFF, Plus Minus Ensemble, Cut and Splice, Cafe OTO, London.

26.09.15: like you and like you, Plus Minus Ensemble, Cut and Splice, Cafe OTO, London.

19.09.15: we do what you say and say what to do, KNM Berlin and KNM Campus Ensemble, kulturradio Galerienwanderung, Cottbus, Germany.

14.09.15: everybody do this, soundinitiative, Nan Yan Academy of Fine Arts, Singapore.

10.09.15: we do what you say and say what to do, Steve Gisby/Richard Glover/Lauren Redhead/James Saunders and volunteers, RMA Conference, University of Birmingham.

08.09.15: assigned #13, Sebastian Berweck, unerhörtemusik, BKA Berlin, Germany.

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