compositions

series | instrumentation | date

2018

solutions must be sought which everyone can accept
reaching an acceptable and stable solution
it is impossible for everyone to achieve everything they want
you are required to split your attention between multiple sources of information
we do what we say, then you do what we say, then we do what you say, then you do what you say
you can do what you want unless someone tells you what to do

2017

just noticed or just not noticed
let it go beyond a certain point
alternate between attention and ease
know that your actions reflect within the group
sometimes we do what you say, but occasionally we don’t

2016

we tell each other what to do but always listen to you
in which one thing depends on another
they are always different, they are always the same
constant interchange of the most various kinds
slow sequence
all the things we make you do

2015

different water environments
all voices are heard
space with sounding floor
assigned #15
like you and like you
we gradually have more things to do and fewer things to say

2014

we do what you say and say what to do
overlay (with transience)
positions in the sequence correctly recalled
lots and lots for us to do
I decide what it is I am going to do
choose who tells you what to do
on bare trees
so many territories
everybody do this
you say what to do

2013

interspersed sometimes with weeds and brambles
the range of outside factors influencing it, as well as its own radius of action
everybody doing what everybody else is doing
the difference in potential arising between points of the circuits

2012

what you must do, rather than must not do
eight panels
overlay
small template
object network
AT LEAST ONE HUNDRED DEVICES BEING TURNED ON AND OFF
instruments with recordings

2011

things whole and not whole
nothing reveals itself without at the same time concealing something else
certain elements within that situation remained constant
opposition between the two spaces and their common mediation
with the same material or still, to vary the material
various distinct spatial or temporal locations
each will appear or not appear
it may exist for a few seconds or it may go on indefinitely
x sequential pitches
78 duos
six surfaces, all of the same dimensions but otherwise different
distribution study
location composites

2010

surfaces
template (with alterations)
geometria situs
although it may appear to vary by the way in which units are joined
materials vary greatly and are simply materials
any one part can replace any other part

2009

imperfections on the surface are occasionally apparent
PART OF IT MAY ALSO BE PART OF SOMETHING ELSE
components derive their value solely through their assigned context
either/or 
ways of making sounds described in fewer than twenty words

2000-2008

239 instances of loss
with paper
assigned
#[unassigned]

1995-2000

older pieces

 

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