April 6, 2012 / 0 comments
All of Joanna Bailie’s recent music uses field recordings as a starting point, drawing on the sonic environment of Brussels, the city she has lived in since 2001, as well as other locations. Recent pieces, such as Symphony-Street-Souvenir (2009/2010) and the Artificial Environments series (2011- ), use mostly urban soundscapes, presented either in their raw…
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