calendar

Here are a few forthcoming performances of my pieces. If you are planning a performance, please let me know and I’ll add it to the list.

29.11.19: all the things we make you do, FRAMES percussion, OUT.SIDE, Arts Santa Mònica, Barcelona

21.12.19: all the things we make you do, FRAMES percussion, OUT.SIDE, Centre d’Art Lo Pati, Amposta

24.08.19: opposition between the two spaces and their common mediation, current resonance, klubscenen, Royal Academy of Music, Aarhus.

07.07.19: the range of outside factors influencing it, as well as its own radius of action, Loren Chasse, Matt Hannafin, and Branic Howard, Extradition Series, Portland Garment Factory, Portland.

08.06.19: interspersed sometimes with weeds and brambles, DianaPlaysPerception, Multimedia Art Museum, Moscow

08.06.19: instruments with recordings, DianaPlaysPerception, Multimedia Art Museum, Moscow

08.06.19: everybody do this, DianaPlaysPerception, Multimedia Art Museum, Moscow

11.05.19: surfaces, Matt Hannafin, Joan Truckenbrod Gallery, Corvallis, Oregon

04.05.19: each will appear or not appear, WHI ensemble, chimera space, Athens

22.03.19: constant interchange of the most various kinds, EXAUDI, Milton Court, London

18.03.19: we tell each other what to do but always listen to you, KMN Berlin / KMN Campus Ensemble, Uferstudios, Berlin.

17.02.19: all the things we make you do, Skerpla and Berglind María Tómasdóttir, Hafnarborg, Iceland.

07.02.19: instruments with recordings, 4/12 Collective, The Crypt Gallery, London

26.01.19-03.03.19: with paper, Phonemes, Hafnarborg Centre of Culture and Fine Art, Iceland.

14.12.18: everybody do this, Hatched Summer School participants, mentors and Ensemble Offspring, Glebe Town Hall, Australia

25.11.18: interspersed sometimes with weeds and brambles, Minguet Quartet, Aurelium, Lappersdorf, Germany.

24.11.18: you can do what you want unless someone tells you what to do, The House of Bedlam, Being Human Festival, RNCM, Manchester

24.11.18: I decide what I am going to do, The House of Bedlam, Being Human Festival, RNCM, Manchester

24.11.18: I tell you what to do, The House of Bedlam, Being Human Festival, RNCM, Manchester

24.11.18: choose who tells you what to do, The House of Bedlam, Being Human Festival, RNCM, Manchester

24.11.18: interspersed sometimes with weeds and brambles, Minguet Quartet, Wien Konzerthaus, Wien Modern, Vienna, Austria

23.11.18: you are required to split your attention between multiple sources of information, Arditti Quartet and Ensemble Modern, Wien Konzerthaus, Wien Modern, Vienna, Austria

14.11.18: instruments with recordings, GreyWing, TURA, Ol Customs House, Fremantle, Australia.

03.11.18: reaching an acceptable and stable solution, Duch Parkinson Saunders, NonFigurativ Musikk, Tønsberg, Norway

02.11.18: reaching an acceptable and stable solution, Duch Parkinson Saunders, Ny Musikk, Oslo, Norway

01.11.18: reaching an acceptable and stable solution, Duch Parkinson Saunders, Sund Folkehøgskole, Inderøy, Norway

31.10.18: overlay (1) / overlay (2), Parkinson Saunders with NTNU Bass Ensemble, Teaterhuset Avant Garden, Trondheim

14.10.18: it is impossible for everyone to achieve everything they want, Nadar Ensemble Summer Academy, Transit Festival, Leuven

22.09.18: everybody do this, KMN Berlin, CoMA Slap On, St. John’s Smith Square, London

13.09.18: everybody do this, Dganit Elyakim, Nick Acorne, Valerio Zanini, The Sound of Sound, John Ogilvie Haus, Graz

31.08.18: it is impossible for everyone to achieve everything they want, Nadar Ensemble Summer Academy, Sint-Niklaas.

24.08.18: reaching an acceptable and stable solution, Parkinson Saunders, Snape Maltings.

21.07.18: surfaces,  Loren Chasse and Matt Hannafin, extradition, Leaven Community, Portland.

01.07.18: solutions must be sought which everyone can accept, Jugendblasorchester Musikschule Heidenheim, Lokschuppen, Heidenheim.

05.06.18: constant interchange of the most various kinds, EXAUDI, City University, London

13.05.18: everybody do this, Glasgow Experimental Music Series, The Pipe Factory, Glasgow

13.05.18: I tell you what to do, Glasgow Experimental Music Series, The Pipe Factory, Glasgow

11.04.18: positions in the sequence correctly recalled, University of Alberta, Camrose, Alberta.

04.03.18: what you must do, rather than must not do, NAME, CoMA Day, Sage, Gateshead

20.11.17: sometimes we do what you say, but occasionally we don’t, The Assembled, The Crescent, York.

29.10.17: various distinct spatial or temporal locations, Jetpack Bellerive, Kunstraum Riehen, Switzerland

21.10.17: know that your actions reflect within the group, Ictus Ensemble, Donaueschinger Musiktage, Donaueschingen, Germany.

14.10.17: in which one thing depends on another, Parkinson Saunders, Wellcome Collection/BBC Radio 3, London.

05.10.17: we do what you say and say what to do, KNM Berlin/LIMINAR, Foro Nuéva Musica, Mexico City

05.10.17: lots and lots for us to do, KNM Berlin, Foro Nuéva Musica, Mexico City

29.09.17: imperfections on the surface are occasionally apparent, Experimental Music Ensemble, Tasmanian Conservatorium of Music, Australia

01.08.17: instruments with recordings, Exposure Exeter/Late Junction, Exeter Phoenix.

13.07.17: everybody do this, Plus Minus Ensemble, ?TZLIL MEUDCAN 2017, HaTeiva, Jaffa?

30.06.17: sometimes we do what you say, but occasionally we don’t, Performing Indeterminacy, Clothworkers Centenary Concert Hall, University of Leeds.

19.06.17: all voices are heard, Out-Take Ensemble, The Talking Heads, Southampton

15.06.17: let it go beyond a certain point, The Dog Star Orchestra, Los Angeles, USA.

10.06.17: all voices are heard, Ensemble Tzara, Voirie, Biel

09.06.17: all voices are heard, Ensemble Tzara, Kunstraum Walcheturm, Zürich

06.06.17: all voices are heard, Ensemble Tzara, Gare du Nord, Basel

06.06.17: just noticed or just not noticed, Johnny Chang, Berlin

07.05.17: alternate between attention and ease, Parkinson Saunders/BBC Scottish Symphony Orchestra/Ilan Volkov, Tectonics, Glasgow.

07.05.17: in which one thing depends on another, Parkinson Saunders, Tectonics, Glasgow.

05.05.17: either/or, Experimental Music Ensemble, Tasmanian Conservatorium of Music, Hobart, Australia.

29.04.17: we do what you say and say what to do, KNM Berlin, Radialsystem, Berlin.

26.04.17: instruments with recordings, MICHAELBRAILEY, VIRTUALLYREALITY, Texture, Manchester.

25.04.17: different water environments, Le Grand Orchestre de Muzzix, La Malterie, Lille

25.04.17: all voices are heard, Le Grand Orchestre de Muzzix, La Malterie, Lille

25.04.17: constant interchange of the most various kinds, Le Grand Orchestre de Muzzix, La Malterie, Lille

25.04.17: sometimes we do what you say, but occasionally we don’t, Le Grand Orchestre de Muzzix, La Malterie, Lille

25.04.17: pairing, Le Grand Orchestre de Muzzix, La Malterie, Lille

21.04.17: all voices are heard, Material/OUT-TAKE Ensemble, Ludo2017, Bath Spa University.

30.03.17: you say what to do, rare form, Ouachita Baptist College

29.03.17: you say what to do, rare form, Arkedelphia High School

28.03.17: you say what to do, rare form, University of Fort Smith

27.03.17: you say what to do, rare form, University of Central Arkansas

27.01.17: all the things you make us do, The Third Guy, Q-02, Brussels

13.01.2017: with paper, 20th Century ASA Ensemble, Wellington College International Tianjin (WCIT), Tianjin, China.

28.11.16: on bare trees, Maulwerker, labor sonor, KuLe, Berlin.

28.11.16: everybody do this, Maulwerker, labor sonor, KuLe, Berlin.

19.11.16: they are always different, they are always the same, Quax, Lutherie Urbaine, Paris.

17.11.16: reassigned #2, ddmmyy series, sandbar, Manchester

06.11.16: everybody do this, Nouvel Ensemble Contemporain, Eglise de Grandson, Switzerland

05.11.16: everybody do this, Nouvel Ensemble Contemporain, Centre Dürrenmatt Neuchâtel, Switerland

31.10.16: AT LEAST 100 DEVICES BEING TURNED ON AND OFF, Pym Bam Boom, La Malterie, Lille.

21.09.16: PART OF IT MAY ALSO BE PART OF SOMETHING ELSE, Toby Roundell, Wellington College International Tianjin (WCIT), Tianjin, China.

12.09.16: in which one thing depends on another, Ruben Zilberstein and Alex Nikiporenko, 840 tour, The International Anthony Burgess Foundation, Manchester.

12.09.16: in which one thing depends on another, Ruben Zilberstein and Alex Nikiporenko, 840 tour, Vivid Projects, Birmingham

08.09.16: everybody do this, students at Sydney Conservatorium of Music

11.08.16: positions in the sequence correctly recalled, Mocrep, Darmstadt Internationales Ferienkurse für Neue Musik.

24.07.16: lots and lots for us to do, Alexey Zaitsev/Daniil Pilchen Sound Museum, St. Petersburg, Russia.

14.05.16: in which one thing depends on another, Parkinson Saunders, atelierkonzert, Basel.

14.05.16: surfaces, Null Point, echo art fair 2016, Buffalo, USA.

21.04.16: reassigned #1, ddmmyy, The Yard Theatre, Hackney Wick, London.

15.04.16: like you and like you, Thierry Madiot, Deborah Walker, Philippe Caillot, Marc Dumazert, Chateau de l’etang, Paris

15.04.16: positions in the sequence correctly recalled, Thierry Madiot, Deborah Walker, Philippe Caillot, Marc Dumazert, Chateau de l’etang, Paris

15.04.16: we tell each other what to do but always listen to you, Thierry Madiot, Deborah Walker, Philippe Caillot, Marc Dumazert, James Saunders, Chateau de l’etang, Paris

15.04.16: they are always different, they are always the same, Thierry Madiot/children from Ecole Paul Langevin, Chateau de l’etang, Paris

19.03.16: each will appear or not appear, A quiet night in, Friends Meeting House, Exeter

08.03.16: we gradually have more things to do and fewer things to say, Distractfold, RNCM, Manchester

08.03.16: in which one thing depends on another, Distractfold, RNCM, Manchester

08.03.16: all voices are heard, Distractfold, RNCM, Manchester

05.03.16: in which one thing depends on another, Ruben Zilberstein and Alex Nikiporenko, 840, St. James’ Church, Islington, London

10.02.16: lots and lots for us to do, people making sounds, Center for New Music, San Francisco, USA

06.02.16: lots and lots for us to do, people making sounds, CCRMA stage, Stanford University, USA

29.01.16: with the same material, or still, to vary the material, A Quiet Night In, Spacex, Exeter

12.12.15: assigned #9, UMUU,  Tulevat Konsertit, Balderin sali, Helsinki

11.12.15: with paper / any one part can replace any other part / everybody do this, Ledger Recital Room, Royal Conservatoire of Scotland, Glasgow

05.12.15: everybody do this / I decide what it is I am going to do, hot karl/hella khords, CCRMA, Stanford, USA

05.12.15: things whole and not whole, Grand Orchestre de Muzzix/Christian Pruvost, La Gare Saint Sauveur, Lille

05.12.15: I decide what it is I am going to do, hot karl, CCRMA, Stanford University, USA

05.12.15: everybody do this, hot karl, CCRMA, Stanford University, USA

21.11.15: things whole and not whole, Grand Orchestra Muzzix, Happy Days, Opera de Lille, Lille

18.11.15: with paper, Athletics Duo w/ David Eegehaupt, Berkeley, USA

16.11.15: with paper, Athletics Duo w/ David Wegehaupt, CCRMA, Stanford, USA

15.11.15: with paper, BLACK BOX im cuba, Münster, Germany.

30.10.15: everybody do this, Sound Initiative, rendezvous contemporains, Paris

26.09.15: AT LEAST ONE HUNDRED DEVICES ALL BEING TURNED ON AND OFF, Plus Minus Ensemble, Cut and Splice, Cafe OTO, London.

26.09.15: like you and like you, Plus Minus Ensemble, Cut and Splice, Cafe OTO, London.

19.09.15: we do what you say and say what to do, KNM Berlin and KNM Campus Ensemble, kulturradio Galerienwanderung, Cottbus, Germany.

14.09.15: everybody do this, soundinitiative, Nan Yan Academy of Fine Arts, Singapore.

10.09.15: we do what you say and say what to do, Steve Gisby/Richard Glover/Lauren Redhead/James Saunders and volunteers, RMA Conference, University of Birmingham.

08.09.15: assigned #13, Sebastian Berweck, unerhörtemusik, BKA Berlin, Germany.

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