somewhere in a field in Devon

I’m meeting up with Paul Whitty next week in a field in Devon to make some pieces. Paul has been developing an ongoing series of pieces in a field near Netherexe, working with other musicians. We’ve been trying to get

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somewhere in a field in Devon

I’m meeting up with Paul Whitty next week in a field in Devon to make some pieces. Paul has been developing an ongoing series of pieces in a field near Netherexe, working with other musicians. We’ve been trying to get

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what you must do is watch this

I’ve finally managed to edit together some documentation of the performance of what you must do, rather than must not do (2012) by Dedalus Ensemble at The Forge in October 2012. We had three cameras, but they all had different aspect

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what you must do is watch this

I’ve finally managed to edit together some documentation of the performance of what you must do, rather than must not do (2012) by Dedalus Ensemble at The Forge in October 2012. We had three cameras, but they all had different aspect

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Stewart Lee tells them what to do

Here’s a video of my piece I tell you what to do performed by Stewart Lee and Magnitude Music at the Village Underground as part of the Spitalfields Festival. It’s another piece in the series things to do, which uses spoken

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Stewart Lee tells them what to do

Here’s a video of my piece I tell you what to do performed by Stewart Lee and Magnitude Music at the Village Underground as part of the Spitalfields Festival. It’s another piece in the series things to do, which uses spoken

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everybody do this

Here’s the film of the performance by Plus Minus, Material and City University Experimental Music Group from 8 April in City’s Performance Space. We had a few problems ending the piece, but found a solution in the end.

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everybody do this

Here’s the film of the performance by Plus Minus, Material and City University Experimental Music Group from 8 April in City’s Performance Space. We had a few problems ending the piece, but found a solution in the end.

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five minutes with

There’s a short interview with me at the City University Music Department blog made in advance of the concert there this Tuesday. It gives a bit of background to some of the pieces we’ll be playing. The concert will include

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five minutes with

There’s a short interview with me at the City University Music Department blog made in advance of the concert there this Tuesday. It gives a bit of background to some of the pieces we’ll be playing. The concert will include

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everybody do this

Here’s a video of last week’s first performance of my piece everybody do this by Material in Bath. This is the second piece in the series things to do, and the next two pieces will be performed in May and June. We’re

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everybody do this

Here’s a video of last week’s first performance of my piece everybody do this by Material in Bath. This is the second piece in the series things to do, and the next two pieces will be performed in May and June. We’re

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#[unassigned] reassigned (possibly)

Since scanning all the available versions of #[unassigned] that I could find in my room, and converting all the files I had on my laptop, I now have a virtually complete archive of the piece (screenshot as evidence). I’ve been

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#[unassigned] reassigned (possibly)

Since scanning all the available versions of #[unassigned] that I could find in my room, and converting all the files I had on my laptop, I now have a virtually complete archive of the piece (screenshot as evidence). I’ve been

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location composites site

I’ve just made a new micro-site for the location composites project, which I’m beginning to expand. Following last week’s performance of location composite #6: Waterloo Station at the Centre for Creative Collaboration in London, I’ve been thinking more widely about the way

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location composites site

I’ve just made a new micro-site for the location composites project, which I’m beginning to expand. Following last week’s performance of location composite #6: Waterloo Station at the Centre for Creative Collaboration in London, I’ve been thinking more widely about the way

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ONE HUNDRED DEVICES in New Zealand

175 East are performing the piece I made in 2012 for lots of sustaining sounds, AT LEAST ONE HUNDRED DEVICES BEING TURNED ON AND OFF, on Sunday 9 March at Q Theatre in Auckland. The piece involves a group of

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ONE HUNDRED DEVICES in New Zealand

175 East are performing the piece I made in 2012 for lots of sustaining sounds, AT LEAST ONE HUNDRED DEVICES BEING TURNED ON AND OFF, on Sunday 9 March at Q Theatre in Auckland. The piece involves a group of

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upcoming performances

I’ve got a few performances on the horizon over the next couple of months, beginning with Will Montgomery’s POLYproject>5 event at Centre for Creative Collaboration in London, which is a performance of location composite #6: Waterloo Station, London using text descriptions

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upcoming performances

I’ve got a few performances on the horizon over the next couple of months, beginning with Will Montgomery’s POLYproject>5 event at Centre for Creative Collaboration in London, which is a performance of location composite #6: Waterloo Station, London using text descriptions

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