new #[unassigned]

I’m working on the first new piece to stem from my previous #[unassigned] project since 2009. Simon Reynell asked me to make a long version for a future another timbre release, working with Apartment House. We’ll be recording in Huddersfield in the

/ No comments

new #[unassigned]

I’m working on the first new piece to stem from my previous #[unassigned] project since 2009. Simon Reynell asked me to make a long version for a future another timbre release, working with Apartment House. We’ll be recording in Huddersfield in the

/ No comments

Laurence Crane interview

Here is the interview with Laurence Crane that we recorded in June 2007. Laurence preferred to do a spoken interview, and after struggling to find a time to meet we ended up talking on the phone. The interview came at

/ No comments

Laurence Crane interview

Here is the interview with Laurence Crane that we recorded in June 2007. Laurence preferred to do a spoken interview, and after struggling to find a time to meet we ended up talking on the phone. The interview came at

/ No comments

Philip Jeck interview

The second interview from the Ashgate series is now available to read online. This one is with Philip Jeck and was one of the few telephone interviews I did. I tried to capture Philip’s manner of speaking in the transcription

/ No comments

Philip Jeck interview

The second interview from the Ashgate series is now available to read online. This one is with Philip Jeck and was one of the few telephone interviews I did. I tried to capture Philip’s manner of speaking in the transcription

/ No comments

get my scores

After a few recent conversations, I’ve decided to make my scores available for free download. I’ve made a page with all the links and will gradually add pieces over the next few weeks. They are released under the Creative Commons BY-NC-ND

/ No comments

get my scores

After a few recent conversations, I’ve decided to make my scores available for free download. I’ve made a page with all the links and will gradually add pieces over the next few weeks. They are released under the Creative Commons BY-NC-ND

/ No comments

creaking and talking in Oxford

I’ve just had two weekends in Oxford at unrelated events within about 20 metres of each other. On 6-7 March I was an invited speaker at the Authorship in Music RMA Study Day hosted by the Faculty of Music and Wadham

/ No comments

creaking and talking in Oxford

I’ve just had two weekends in Oxford at unrelated events within about 20 metres of each other. On 6-7 March I was an invited speaker at the Authorship in Music RMA Study Day hosted by the Faculty of Music and Wadham

/ No comments

Interviews available online

I’m gradually making available online the 14 interviews I conducted a few years ago that were originally published in the Ashgate book. I’m beginning with Christian Wolff, and will be uploading one each week for the next few months. Ashgate

/ No comments

Interviews available online

I’m gradually making available online the 14 interviews I conducted a few years ago that were originally published in the Ashgate book. I’m beginning with Christian Wolff, and will be uploading one each week for the next few months. Ashgate

/ No comments

with paper at WASH project

with paper was realised at WASH project in Buffalo, NY by Colin Tucker through his curatorial project Null Point with members of the local community. WASH is a local arts project that combines a laundrette with participatory arts activities and

/ No comments

with paper at WASH project

with paper was realised at WASH project in Buffalo, NY by Colin Tucker through his curatorial project Null Point with members of the local community. WASH is a local arts project that combines a laundrette with participatory arts activities and

/ No comments

Experimental Music Yearbook

The score of my piece what you must do, rather than must not do (2012) has been included in the 2014 Experimental Music Yearbook. Founded in 2009 by Casey Anderson and John P. Hastings, The Experimental Music Yearbook is a repository for

/ No comments

Experimental Music Yearbook

The score of my piece what you must do, rather than must not do (2012) has been included in the 2014 Experimental Music Yearbook. Founded in 2009 by Casey Anderson and John P. Hastings, The Experimental Music Yearbook is a repository for

/ No comments

location composite #7

Here are a couple of photos of the performance and audience scores from location composite #7: Standlake which I made for Bruno Gaustalla, Eric Clarke and Sarah Verny Caird. I’ll edit these into the final score soon.

/ No comments

location composite #7

Here are a couple of photos of the performance and audience scores from location composite #7: Standlake which I made for Bruno Gaustalla, Eric Clarke and Sarah Verny Caird. I’ll edit these into the final score soon.

/ No comments

so many territories

I’ve uploaded the recording of the first performance of so many territories by Plus Minus at City University in April. The piece draws on some of the techniques used by the Oulipo to create permutations of elements, specifically mutually orthogonal latin squares.

/ No comments

so many territories

I’ve uploaded the recording of the first performance of so many territories by Plus Minus at City University in April. The piece draws on some of the techniques used by the Oulipo to create permutations of elements, specifically mutually orthogonal latin squares.

/ No comments